{"id":26846,"date":"2014-05-19T22:16:12","date_gmt":"2014-05-20T05:16:12","guid":{"rendered":"https:\/\/www.radiosurvivor.com\/?page_id=26846"},"modified":"2014-05-21T14:25:24","modified_gmt":"2014-05-21T21:25:24","slug":"hybrid-highbrow","status":"publish","type":"page","link":"https:\/\/www.radiosurvivor.com\/hybrid-highbrow\/","title":{"rendered":"Hybrid Highbrow: news about classical radio around the world"},"content":{"rendered":"<p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2014\/05\/radio-boy-microphone.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-26865\" style=\"margin: 5px;\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2014\/05\/radio-boy-microphone-218x300.gif\" alt=\"radio boy!\" width=\"196\" height=\"269\" \/><\/a>Welcome to Hybrid Highbrow, Radio Survivor&#8217;s classical radio page. Here you will find news and opinion on classical radio and classical recording sharing around the world. My own perspective is that &#8220;classical music&#8221; should be understood in the broadest sense, happily coexisting with other genres such as jazz, Broadway, and non-western genres such as Chinese opera, Gamelan, and Egyptian Oud. I also think that the concept of &#8220;radio&#8221; should be extended not just to AM\/FM, but to podcasting, Pandora, Spotify, and other venues capable of reaching mass audiences.<\/p>\n<p>For me, the phrase <a href=\"https:\/\/www.radiosurvivor.com\/2013\/09\/17\/hybrid-highbrow-the-history-of-a-forgotten-radio-format\/\">&#8220;Hybrid Highbrow&#8221;<\/a> encapsulates these ideas. \u00a0Latest stories below. Follow our <a href=\"https:\/\/twitter.com\/hybridhighbrow\">Twitter page<\/a>. More soon. Enjoy!<\/p>\n<p><\/p>\n<div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to When it comes to classical music (and classical radio), don't mess with (San Antonio) Texas\" href=\"https:\/\/www.radiosurvivor.com\/?p=46092\">When it comes to classical music (and classical radio), don't mess with (San Antonio) Texas<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"15:19\" href=\"https:\/\/www.radiosurvivor.com\/?p=46092\"> <span class=\"entry-date\">14. April 2019<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=46092?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><!-- wp:image {\"id\":42658,\"align\":\"right\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"314\" height=\"75\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg\" alt=\"Hybrid Highbrow\" class=\"wp-image-42658\" srcset=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg 314w, https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg 300w\" sizes=\"auto, (max-width: 314px) 100vw, 314px\" \/><\/figure><\/div>\n<!-- \/wp:image -->\n\n<!-- wp:paragraph -->\n<p>Musician <a href=\"http:\/\/www.barrybrake.com\/index.html\">Barry Brake<\/a> writes to us from San Antonio, Texas:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:quote -->\n<blockquote class=\"wp-block-quote\"><p>\"Just this year, Texas Public Radio's <a href=\"https:\/\/www.tpr.org\/\">KPAC San Antonio<\/a> has started a new classical show, 1\u20133pm weekdays, called <a href=\"https:\/\/www.tpr.org\/programs\/classical-connections\">Classical Connections<\/a>, that features music and musicians from San Antonio, the Hill Country, and Texas, as well as standard fare from our massive classical library. Visiting musicians, local stars, up-and-comers, directors, and composers drop by to talk. Often there are live on-air performances. We'd love to be listed on your page! Thanks for doing what you do . . . \"<\/p><\/blockquote>\n<!-- \/wp:quote -->\n\n<!-- wp:paragraph -->\n<p>So I popped into the <a href=\"https:\/\/www.tpr.org\/programs\/classical-connections\">Classical Connections site<\/a> and instantly I was enjoying this fantastic piece by Ethan Wickman to celebrate San Antonio's Tricentennial. It is performed by the <a href=\"https:\/\/www.tpr.org\/post\/soli-feature-student-composers-ballads-suite-premiere\">SOLI Chamber Ensemble<\/a>. <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:more -->\n<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=46092\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentWhen it comes to classical music (and classical radio), don't mess with (San Antonio) Texas\" href=\"https:\/\/www.radiosurvivor.com\/?p=46092#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Saul Levine, radio pioneer, still advocating for independent media\" href=\"https:\/\/www.radiosurvivor.com\/?p=44192\">Saul Levine, radio pioneer, still advocating for independent media<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"21:00\" href=\"https:\/\/www.radiosurvivor.com\/?p=44192\"> <span class=\"entry-date\">29. December 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=44192?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-42658 alignright\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg\" alt=\"Hybrid Highbrow\" width=\"300\" height=\"72\" srcset=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg 300w, https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg 314w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Variety has a <a href=\"https:\/\/variety.com\/2018\/music\/news\/go-country-radio-station-owner-saul-levine-los-angeles-interview-1203095529\/\">wonderful profile<\/a> of Los Angeles radio pioneer Saul Levine, age 92, who launched his first classical music station KBCA-FM almost 60 years ago. Author Roy Trakin obviously had fun writing the piece:\r\n<blockquote>Like Daniel-Day Lewis in \u201cThere Must Be Blood,\u201d Levine bulldozed the land atop Mt. Wilson \u2013which he leased from the U.S. Forest Service for $350 a year \u2014 driving the tractor himself. He acquired a transmitter from a defunct Michigan station for $1,500, had an antenna crafted out of a lead pipe, and bartered commercial time on the yet-to-air station for a $300 flag pole so they could broadcast. He even built a makeshift studio on the site itself, where an eccentric Seven-Day Adventist-turned-engineer who literally lived off the land kept the station on for as close to around the clock as humanly possible.<\/blockquote>\r\nSince then Levine has operated classical, jazz, and even country music stations. I am most familiar with his <a href=\"http:\/\/kmozart.com\/\">K-MOZART<\/a>\u00a0outlet, available at FM 105.1, via HD, and online. He predicts that terrestrial radio will last another \"15 to 20 years.\"\r\n\r\n\"It\u2019s free, it\u2019s local, it\u2019s live,\" Levine told Variety, \"and it\u2019s the only medium that deals with your community.\u201d<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=44192\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentSaul Levine, radio pioneer, still advocating for independent media\" href=\"https:\/\/www.radiosurvivor.com\/?p=44192#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to There's a place for us (and it includes Jewish music + oldies)\" href=\"https:\/\/www.radiosurvivor.com\/?p=43939\">There's a place for us (and it includes Jewish music + oldies)<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"14:09\" href=\"https:\/\/www.radiosurvivor.com\/?p=43939\"> <span class=\"entry-date\">24. November 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=43939?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-42658 alignright\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg\" alt=\"Hybrid Highbrow\" width=\"300\" height=\"72\" srcset=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg 300w, https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg 314w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Soprano <a href=\"https:\/\/www.deutschegrammophon.com\/us\/artist\/sierra\/\">Nadine Sierra<\/a> has produced a beautiful new album titled \"There's a Place for Us.\" The signature song comes from the musical <em>West Side Story<\/em>. But the message is definitely Sierra's. \"No matter what happens in this world,\" she says <a href=\"https:\/\/youtu.be\/awGt8-znjtw\">in an interview<\/a> about the album, \"no matter what kind of negative messages are being sent by certain people, eventually if we all stick together\u00a0 . . . we can find a place for all of us to live freely, happily, and with ample love.\"\r\n\r\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/awGt8-znjtw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n\r\n<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=43939\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentThere's a place for us (and it includes Jewish music + oldies)\" href=\"https:\/\/www.radiosurvivor.com\/?p=43939#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Four great pieces for a Sunday AM classical music community radio show\" href=\"https:\/\/www.radiosurvivor.com\/?p=43847\">Four great pieces for a Sunday AM classical music community radio show<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"16:02\" href=\"https:\/\/www.radiosurvivor.com\/?p=43847\"> <span class=\"entry-date\">14. November 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=43847?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-42658 alignright\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg\" alt=\"Hybrid Highbrow\" width=\"300\" height=\"72\" srcset=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg 300w, https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg 314w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>My friend Sherry Gendelman, who hosts a popular Sunday morning <a href=\"https:\/\/kpfa.org\/program\/piano\/\">classical music show<\/a> on KPFA in Berkeley, started her program last week with a piece for violin and orchestra. No sooner did the performance begin than the phones started ringing. 'What <em>is<\/em> this?' six listeners in a row immediately demanded.\r\n\r\n\"I woke up to this magical music. It was so lovely,\" one caller exclaimed.\u00a0 \"Thank you so much.\"\r\n\r\nI am not surprised at the reaction. Sherry started her lineup with Ralph Vaughan Williams' radiant\u00a0tone poem\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=IOWN5fQnzGk\"><em>The Lark Ascending: A Romance for Violin and Orchestra<\/em><\/a>. Marked \"Andante Sostenuto\" in the orchestral score, the composition begins with a violin cadenza that invokes the scene of a beautiful bird stretching her wings in a garden. It's always a hit with listeners.\r\n\r\nSunday morning is the perfect time for a community radio stations to host classical music. While we are on the subject, I can't wait for <a href=\"https:\/\/ksqd.org\/\">KSQD-FM (aka \"The Squid\")<\/a> in nearby Santa Cruz to start broadcasting. A big chunk of the classical music group associated with now sadly defunct KUSP-FM will be hosting programs on the weekends. Check the end of this post for more details.<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=43847\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentFour great pieces for a Sunday AM classical music community radio show\" href=\"https:\/\/www.radiosurvivor.com\/?p=43847#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Leonard Bernstein's FBI file\" href=\"https:\/\/www.radiosurvivor.com\/?p=43069\">Leonard Bernstein's FBI file<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"14:57\" href=\"https:\/\/www.radiosurvivor.com\/?p=43069\"> <span class=\"entry-date\">25. August 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=43069?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-42658 alignright\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg\" alt=\"Hybrid Highbrow\" width=\"300\" height=\"72\" srcset=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg 300w, https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg 314w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>If you Googled anything over the last twelve hours or so, you learned that today is American conductor Leonard Bernstein's <a href=\"https:\/\/youtu.be\/O8fQyb6tkdk\">100th birthday<\/a>. Classical radio station WQXR-FM in New York City has a wonderful memorial to Bernstein, reminding us of his work as a <a href=\"https:\/\/www.wqxr.org\/story\/leonard-bernsteins-black-america\">civil rights activist<\/a> during the 1960s and 1970s, and his advocacy of jazz and popular music.\r\n\r\nIt should also be mentioned that over the course of his career, Leonard Bernstein was relentlessly watched by the Federal Bureau of Investigation. You can inform yourself about this by visiting the FBI's own <a href=\"https:\/\/vault.fbi.gov\/leonard-bernstein\">archive of its famous probes<\/a>. \"Bernstein (1918-1990) was composer, conductor, and pianist who was investigated by the FBI for his ties to communist organizations,\" the site notes.\u00a0\"These files range from 1949 to 1963.\" Actually, they continue through 1974.\r\n\r\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/O8fQyb6tkdk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n\r\n<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=43069\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentLeonard Bernstein's FBI file\" href=\"https:\/\/www.radiosurvivor.com\/?p=43069#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Podcast #150 - Sympathy for Kenny G\" href=\"https:\/\/www.radiosurvivor.com\/?p=42786\">Podcast #150 - Sympathy for Kenny G<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"02:01\" href=\"https:\/\/www.radiosurvivor.com\/?p=42786\"> <span class=\"entry-date\">10. July 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Paul Riismandel\" href=\"https:\/\/www.radiosurvivor.com\/?p=42786?author=2\">Paul Riismandel<\/a><\/span><\/div><div class=\"entry-content\"><p>\r\n\r\nWhat killed smooth jazz radio? Why aren't there any commercial classical stations any longer? And, why do radio stations have a \"format\" to begin with? Matthew Lasar joins us to explore these questions about the fundamental organizing principle of most music radio.\r\n\r\nMatthew is a co-founder of Radio Survivor and the author of three important books on radio, including <em>Pacifica Radio: The Rise of an Alternative Network<\/em> and <em>Radio 2.0<\/em>.\r\n\r\n<h3>Show Notes:<\/h3>\r\n<ul>\r\n \t<li><a href=\"https:\/\/amzn.to\/2L1j0KJ\"><em>Top 40 Democracy: The Rival Mainstreams of American Music<\/em><\/a>, by Eric Weisbard<\/li>\r\n \t<li>Matthew likes: <a href=\"http:\/\/www.kkup.org\/\">KKUP<\/a>, <a href=\"https:\/\/www.kzsc.org\/\">KZSC<\/a>, <a href=\"https:\/\/www.secondinversion.org\/\">Second Inversion Radio<\/a>, <a href=\"https:\/\/www.newsounds.org\/\">WQXR New Sounds<\/a> (formerly Q2)<\/li>\r\n \t<li>Hybrid Highbrow:\u00a0<a href=\"https:\/\/www.radiosurvivor.com\/2018\/06\/28\/new-music-for-paddle-to-the-sea-nobody-told-me-that-smooth-jazz-died\/\">New music for Paddle to the Sea + nobody told me that smooth jazz died<\/a><\/li>\r\n \t<li>Hybrid Highbrow:\u00a0<a href=\"https:\/\/www.radiosurvivor.com\/2018\/06\/18\/somebody-stop-killing-jazz-radio-please\/\">Somebody stop killing jazz radio please<\/a><\/li>\r\n \t<li><a href=\"https:\/\/www.radiosurvivor.com\/2018\/04\/29\/omg-a-radio-station-actually-kept-its-classical-format-after-protests\/\">OMG a radio station actually keeps its classical format after protests<\/a><\/li>\r\n<\/ul>\r\n&nbsp;\r\n\r\n&nbsp;<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=42786\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentPodcast #150 - Sympathy for Kenny G\" href=\"https:\/\/www.radiosurvivor.com\/?p=42786#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Attention all classical radio stations: humans cough, deal with it\" href=\"https:\/\/www.radiosurvivor.com\/?p=42763\">Attention all classical radio stations: humans cough, deal with it<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"18:42\" href=\"https:\/\/www.radiosurvivor.com\/?p=42763\"> <span class=\"entry-date\">07. July 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=42763?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-42658 alignright\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg\" alt=\"Hybrid Highbrow\" width=\"300\" height=\"72\" srcset=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2-300x72.jpg 300w, https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/06\/hybridhighbrow2.jpg 314w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>One of my favorite classical radio stations is making a meal over measures that one of my favorite conductors is taking to combat coughing in the music hall. San Francisco Symphony Music Director Michael Tilson Thomas now gives away cough drops at concerts. Or at least MTT did so at a recent Chicago Symphony event in which the proverbial throat frogs got unusually jumpy during several quiet pieces. These included a Stravinsky elegy for President John F. Kennedy and an early movement of a Mahler symphony.\r\n\r\nThe Maestro described the drastic step he took in <a href=\"https:\/\/www.wqxr.org\/story\/conductor-throws-cough-drops-hacking-audience\/\">a recent interview with Elliott Forrest at WQXR-FM<\/a> in New York City:\r\n\r\n\"As it happens, just as I had walked on the stage before the Mahler piece I had seen that there was a big box filled with cough drops which is there for members of the orchestra to use it they need it,\" Thomas explained.<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=42763\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentAttention all classical radio stations: humans cough, deal with it\" href=\"https:\/\/www.radiosurvivor.com\/?p=42763#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Minnesota's classical safe harbor hour; cellos and weddings (sacred and profane)\" href=\"https:\/\/www.radiosurvivor.com\/?p=42406\">Minnesota's classical safe harbor hour; cellos and weddings (sacred and profane)<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"10:36\" href=\"https:\/\/www.radiosurvivor.com\/?p=42406\"> <span class=\"entry-date\">25. May 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=42406?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2013\/09\/hybridhighbrow.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-22595 alignright\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2013\/09\/hybridhighbrow.gif\" alt=\"\" width=\"200\" height=\"100\" \/><\/a>On Wednesday, into my classical\/radio newsfeed <a href=\"https:\/\/www.classicalmpr.org\/playlist\/classical-mpr\/2018-05-23\">fell this notification<\/a> about Minnesota Classical Radio (MPR)'s playlist for May 23, 2018. Through the day you get the usual stuff: Schubert, Elgar, Vivaldi. Then the 10 PM hour arrives, and\u00a0 . . . KABOING:\r\n<blockquote><strong>Refuge<\/strong>\r\nBaljinder Sekhon\r\nRobert McCormick\r\nMcCormick Percussion Group\r\n\r\n<strong>Gumboots<\/strong>\r\nDavid Bruce\r\nCarducci Quartet\r\nJulian Bliss, clarinet\r\n\r\n<strong>Aguas da Amazonia: Amazon River<\/strong>\r\nPhilip Glass\r\nThird Coast Percussion\r\n\r\n<strong>Nihavent Semai<\/strong>\r\nSokratis Sinopoulos\r\nJean-Guihen Queyras, cello\r\n\r\n<strong>Electric Counterpoint: 3rd movement<\/strong>\r\nSteve Reich\r\nKasia Kadlubowska, percussion<\/blockquote>\r\n<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=42406\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentMinnesota's classical safe harbor hour; cellos and weddings (sacred and profane)\" href=\"https:\/\/www.radiosurvivor.com\/?p=42406#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to OMG a radio station actually keeps its classical format after protests\" href=\"https:\/\/www.radiosurvivor.com\/?p=42241\">OMG a radio station actually keeps its classical format after protests<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"17:32\" href=\"https:\/\/www.radiosurvivor.com\/?p=42241\"> <span class=\"entry-date\">29. April 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=42241?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p>I must tell you that I was shocked to read this story. After protests, a radio station has decided to keep its classical music format. In Provo, Utah, no less.\r\n\r\n<a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2013\/09\/hybridhighbrow.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-22595\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2013\/09\/hybridhighbrow.gif\" alt=\"\" width=\"200\" height=\"100\" \/><\/a>BYU Broadcasting has announced that it will buy an FM signal that will allow it to broadcast a bunch of educational content it planned to stuff into Classical 89\/KBYU-FM, presumably obliterating the latter's popular classical music offerings. You can read the <a href=\"http:\/\/www.classical89.org\/support\/article\/\">narcoleptic coma inducing deets about the deal here<\/a>. The bottom line is that\u00a0the outfit will purchase another radio outlet and to that signal will stream <a href=\"https:\/\/www.byuradio.org\/shows?page=1\">BYU, aka Brigham Young University, fare<\/a>. This move will save Classical 89\/KBYU's <a href=\"http:\/\/www.classical89.org\/playlist\/\">classical schedule<\/a>.\r\n\r\n<em>The Salt Lake Tribune<\/em>'s Scott D. Pierce has a <a href=\"https:\/\/www.sltrib.com\/news\/2017\/11\/03\/classical-music-fans-politely-protest-byu-decision-to-change-radio-format\/\">nice piece<\/a> on the protests on behalf of Classical 89.\u00a0\u201cMy wife loves it,\" one fan exclaimed at a meeting. \"She says, when we leave the home, \u2019Leave it on, because the plants love it, too'.\"\r\n\r\n<a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/04\/Screen-Shot-2018-04-29-at-5.26.29-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-42279\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2018\/04\/Screen-Shot-2018-04-29-at-5.26.29-PM.png\" alt=\"Classical 89\" width=\"270\" height=\"93\" \/><\/a>To which I usually say 'yeah yeah, good luck with this.' Most radio station managements <em>almost never\u00a0<\/em>renege on a format change after they announce it. Protests be damned. \"We have to be realistic,\" they always declare, stone faced, at The Big Meeting. \"Times have changed. Plus: blah blah blah and here's a lawyer and engineer to explain why you are screwed.\"\r\n\r\nI've even mapped out the process as the <a href=\"https:\/\/www.radiosurvivor.com\/2012\/11\/19\/the-five-stages-of-commercial-radio-format-change-grief\/\">Five Stages of Format Change Grief<\/a>.\r\n\r\n<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=42241\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentOMG a radio station actually keeps its classical format after protests\" href=\"https:\/\/www.radiosurvivor.com\/?p=42241#comments\"> no comments <\/a><\/span><\/div><\/div><div id=\"post-xx\" class=\"post-xx\"><h2 class=\"entry-title\"><br \/><a rel=\"bookmark\" title=\"Permalink to Classical music, fear, and the radio\" href=\"https:\/\/www.radiosurvivor.com\/?p=42219\">Classical music, fear, and the radio<\/a><\/h2><div class=\"entry-meta\"><span class=\"meta-prep meta-prep-author\">Posted on <\/span><a rel=\"bookmark\" title=\"22:14\" href=\"https:\/\/www.radiosurvivor.com\/?p=42219\"> <span class=\"entry-date\">23. April 2018<\/span><\/a><span class=\"meta-sep\"> by <\/span><span class=\"author vcard\"><a class=\"url fn n\" title=\"View all posts by Matthew Lasar\" href=\"https:\/\/www.radiosurvivor.com\/?p=42219?author=4\">Matthew Lasar<\/a><\/span><\/div><div class=\"entry-content\"><p><em><a href=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2013\/09\/hybridhighbrow.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-22595\" src=\"https:\/\/www.radiosurvivor.com\/wp-content\/uploads\/2013\/09\/hybridhighbrow.gif\" alt=\"\" width=\"200\" height=\"100\" \/><\/a>The New York Times<\/em> has published a <a href=\"https:\/\/www.nytimes.com\/2018\/04\/18\/opinion\/classical-music-insecurity.html?rref=collection%2Fsectioncollection%2Fopinion&amp;action=click&amp;contentCollection=opinion&amp;region=stream&amp;module=stream_unit&amp;version=latest&amp;contentPlacement=4&amp;pgtype=sectionfront\">nice essay<\/a> urging people to get over their fear of classical music and just enjoy the genre. The piece does not say anything that doesn't get said once every five years or so in some prominent venue.\u00a0But it does say it well. Miles Hoffman notes the existence of the \"Classical Music Insecurity Complex,\" in which people disqualify themselves from even admitting whether they like a composition or not, for fear that they lack the education to do so.\r\n\r\nThe article drew a <a href=\"https:\/\/www.nytimes.com\/2018\/04\/23\/opinion\/classical-music-art.html\">supportive letter<\/a> from classical radio host Sam Goodyear:\r\n<blockquote>\r\n<p class=\"css-imjp5j e2kc3sl0\">As a musician, a music teacher and an announcer of classical music on the radio, I often get the apologetic \u201cI don\u2019t know anything about music\u201d confession along with the perceived shame in such an admission. I like to point out that Handel didn\u2019t write for musicians any more than Shakespeare wrote for playwrights or actors, or teams in the National Football League play for football players.<\/p>\r\n<p class=\"css-imjp5j e2kc3sl0\">If their audiences were that limited, concert halls and theaters and stadiums would be nearly empty. In all cases, the aim is bringing pleasure and excitement to people, and opening doors to exploration and discovery into the bargain.<\/p>\r\n<\/blockquote>\r\n<br \/><br \/><a class=\"more-link\" href=\"https:\/\/www.radiosurvivor.com\/?p=42219\">Continue reading<span class=\"meta-nav\">&#8594;<\/span><\/a><\/p><\/div><div class=\"entry-utility\"><span class=\"comments-link\"><a title=\"Leave a commentClassical music, fear, and the radio\" href=\"https:\/\/www.radiosurvivor.com\/?p=42219#comments\"> no comments <\/a><\/span><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Welcome to Hybrid Highbrow, Radio Survivor&#8217;s classical radio page. Here you will find news and opinion on classical radio and classical recording sharing around the world. My own perspective is that &#8220;classical music&#8221; should be understood in the broadest sense, happily coexisting with other genres such as jazz, Broadway, and non-western genres such as Chinese [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-26846","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/pages\/26846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/comments?post=26846"}],"version-history":[{"count":16,"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/pages\/26846\/revisions"}],"predecessor-version":[{"id":26874,"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/pages\/26846\/revisions\/26874"}],"wp:attachment":[{"href":"https:\/\/www.radiosurvivor.com\/wp-json\/wp\/v2\/media?parent=26846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}